By – Jason Hamric

Mono has been building their incredible soundscapes, using a blend of normal “rock” instruments along with orchestral elements since the late 90’s. To get the sound they are looking for, they partnered with Steve Albini, who as you know recently passed away. He was not just a producer (a title he hated) or sound engineer; he was a friend and an important part of their creative process. His loss makes “Oath” an emotional experience, as Mono channels deep, raw emotion into every track.

“Then, Us” starts the record featuring delicate synths and a haunting melody that immediately draws you in. The addition of soothing strings and brass transforms the track, infusing it with a sense of hope. Tamaki Kunishi’s distinctive bass hums in, followed by Dahm Majuri Cipolla’s familiar kick drum and snare. Any concerns that this might be a minimalist work are quickly dispelled once you hear the dual guitar onslaught. “Run On” starts with wheezing synth tones, allowing Takaakira and Hideki to deliver a sequence of melancholic notes. Mono’s atmospheric tracks are always captivating, and this one is no exception. Electro drums gradually enter, followed by a shimmering guitar melody that stirs deep emotions. Only Godspeed You! Black Emperor rivals their ability to combine strings and guitars so beautifully, but Mono’s execution is uniquely graceful. Dahm settles into a steady beat as the track builds in intensity, showcasing the band’s fiery side as the guitars scream and blaze. The piano takes center stage in the mellow “Reflection,” with Dahm’s delicate taps providing a subtle rhythm. The track’s dynamic shifts as taut kick/snare beats underpin waves of hazy guitars, building to a dramatic climax. Takaakira and Hideki’s haunting guitar lines draw you in, setting the stage for what’s to come. “Hear The Wind Sing” begins with a sad loop, intertwined with slithering piano and wriggling strings, creating a fascinating instrumental tapestry. By the track’s end, the gentle winds have transformed into a majestic storm.The album, which features classic Mono elements, reaches new heights with its next three tracks. “Hourglass” opens with sorrowful tones, with a lone guitar line evoking a ghostly presence in a forest. The emotional depth of a simple sequence of notes is hard to convey, but “Moonlight Drawing” achieves it with its tender melancholy, ultimately ending on a triumphant note. On “Holy Winter.” The main melody lifts you immediately  with beautiful synths, piano, and guitars, creating an overwhelming emotional weight. Tamaki’s bass transforms the rest of the music into another realm. When the guitars break free, they blend melancholy with euphoria. I can almost see Albini at the mixing desk, it’s hard not to get the feels. This is easily one of Mono’s finest tracks.”We All Shine On” holds its own with screaming guitars and powerful drums. Dahm’s pounding rhythms and escalating distortion create a flurry of sound.  Finally the album closes with “Time Goes By,” featuring comforting guitars and sweeping strings that offer a sense of hope. Mono’s music always touches those who have experienced loss. Their melodies are filled with emotion, and their grand instrumentation feels designed to process grief. As I grow older, the beauty of their art becomes even more profound.

This album is filled with moments that longtime fans will appreciate. Every track is filled with emotion. “Oath” showcases Mono at their best and serves as a heartfelt tribute to one of music’s quiet legends.  Albini’s passing makes “Oath” even more of a must listen.